Hej. Jag har på inga vis tappat intresset för kursen. Jag är överlycklig att jag fått möjligheten att gå den. Men den senaste veckan har jag varit...
Kalle Fisk
fiskluder@...
Feb 12, 2001 12:15 am
367
Got an English version of this? Derek Brand...
tremulis@...
Feb 12, 2001 2:11 am
368
bye the way what language is this anyway????? vivek ... _________________________________________________________________________ Get Your Private, Free E-mail...
vivek radhakrishnan
viv_slash@...
Feb 12, 2001 5:01 am
369
... Swedish jokke...
Jokke Heikkilä
jheikkil@...
Feb 12, 2001 7:28 am
370
I am a third year sound technology student currently studying at the Liverpool Institute for Performing Arts. The topic of my final year project is: "How...
k.welland@...
Feb 15, 2001 12:04 pm
371
Dear Kate: I am a professor of Sound Design - and eventually, a Sound designer too, but I am passionate researcher - at Buenos Aires. I'm working on my PH.D...
Gustavo Costantini
cgustavo@...
Feb 15, 2001 3:00 pm
372
Hello, I do a workshop on radio at UPF, in Barcelona. Let me, please, use your answer as introduction to the topic "creating sound for radio fiction". If any...
JAUME PIQUE ABADAL
jabadal@...
Feb 16, 2001 4:52 pm
373
Hey I'm into that! Geoff Edwards Professional Voice with Production Studio View/Listen - samples: www.look-ear.com/continuity.html ... From: JAUME PIQUE ABADAL...
Geoff Edwards
lakeside@...
Feb 16, 2001 5:05 pm
374
I strongly agree with much of what Gustavo has said. I was the Sound Designer on Lynch's Wild At Heart. It dismays me that so many students try to interpret...
RandyThom@...
Feb 17, 2001 4:03 am
375
I want to say thanks for all the kind words. It started as a suggestion for Kate, but I think this problem is one of the most important. What is your approach...
Gustavo Costantini
cgustavo@...
Feb 17, 2001 4:56 am
376
I am doing some research for preplanning a feature: I am (re)searching for (sound recording) making of's ,e.g. 'Vertical Limit' or 'Fire and Ice' (Willy...
Dominic Blitz
blitd005@...
Feb 18, 2001 7:49 pm
377
these are interesting obstacles. primarily not freezing to death and dodging avalanches. first, you can't really boom it all the way unless you ski along...
ebm100x@...
Feb 19, 2001 12:04 am
378
I would recommend; lavalier radiomics mounted in headweare, protectded by several layers of nylon stockings and maybe a wad of wool, accompanied by a boom to...
Svenn Jakobsen
lillelulu@...
Feb 19, 2001 8:56 am
379
i am currently writing my final year thesis on the importance of sound in film using psycho as a model. any advice, wisdom, quotes from industry pro's etc...
ian williams
iwilliams88@...
Feb 20, 2001 4:24 pm
380
budget: picture 95%, sound 5% (regardless of how much attention is paid to sound) impact: (if sound is integrated poorly) picture 75%, sound 25% impact: (if...
RandyThom@...
Feb 20, 2001 5:38 pm
381
when you speak about sound includes the music?¿ Picture 40% / sound&music 60 % ... From: <RandyThom@...> To: <sound-article-list@yahoogroups.com> Sent:...
==================================== About percent, the importance and value of sound. I just took a look at the credits for Independence day. After more than...
Jan Alvermark
aa@...
Feb 20, 2001 11:38 pm
384
Hello everybody. It seems that I am not the only one writing a diploma in the field of Film sound :) I am studying Audio Design in Basel (Switzerland) and...
Martin Jann
martin@...
Feb 20, 2001 11:49 pm
385
... Hello there. The one thing i still do not understand is why Sound doesn't have a front-credit on Film. Roberto, Amsterdam www.bananenland.com...
Roberto van Eijden
tuig@...
Feb 20, 2001 11:57 pm
386
Go rent "The Conversation" by Francis Ford Coppola and see the illustrious Mr. Walter Murch as a head credit for sound. Granted he was also the film's editor...
Tracy Sannes & Jay Gi...
gil.san@...
Feb 21, 2001 12:09 am
387
The sound in psycho is fairly basic - most of the mood is carried in the music. I think that since the introduction of Dolby Stereo, the importance of sound...
Fool Hardy
eboiled@...
Feb 21, 2001 1:04 am
388
It seems like there are always going to be underdogs. For film this is practically everyone below-the-line. Why is it that, to the mass audiences, credit for...
delvebelow@...
Feb 21, 2001 4:29 am
389
Like any useful tool, surround sound can do as much damage as it can do good if the user isn't careful. A transient sound in a surround channel can easily...
RandyThom@...
Feb 21, 2001 4:30 am
390
It isn't true that no sound person usually has a "front credit." The Composer is, after all, a sound person. The reasons it's rare for any sound person other...
RandyThom@...
Feb 21, 2001 5:29 am
391
You may want to check out Requiem For a Dream, it's an art-film, and the work was done by Sound Dogs Toronto. Over the last 3 months we (Sound Dogs USA) have...
Rob Nokes
robnokes@...
Feb 21, 2001 7:30 am
392
You may want to check out Requiem For a Dream, it's an art-film, and the work was done by Sound Dogs Toronto. Over the last 3 months we (Sound Dogs USA) have...
Rob Nokes
robnokes@...
Feb 21, 2001 7:39 am
393
just to chuck in my ten pence worth check out Hannibal which on the whole is rather pointless hokum, but there is one truly genius moment involving the sound...
pendle
pendle@...
Feb 21, 2001 8:13 am
394
I want to unsubscribe to this newsgroup....
Theresa Weber-Qvarfort
theresa.weber-qvarfor...
Feb 21, 2001 9:47 am
395
Dear Mr. Thom. Thank you for your information on this subject. It´s always good to have some thoughts of professionals. I recognize that analysing film sound...
